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Anatomy of a Viral Post

  • Writer: Matthew Lerner
    Matthew Lerner
  • Jun 17
  • 2 min read

Recently, one of my LinkedIn posts went crazy, and I had to find out why.

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This post got 17x more views, 30x more likes and 85x more reposts than my median. (Gold star if you know why I chose median, not average. Answer below).


But I didn't expect the analysis to take three days. 😒


False start #1: Generic praise

First, I pasted the post into Claude and asked why it performed so well. Claude showered the post with praised, pointing out generic writing "best practices," but nothing specific to my audience.


False start #2: Fascinating but useless

Next, I tried to reverse-engineer the algorithm. 😏


Claude ran a regression analysis on my last 400 posts and found that 68% of reach comes from likes, comments and reposts. The other 32% is unexplained.


But I still need to know how to get those likes, comments and reposts – how to write content that resonates with my audience.


I needed to understand my readers. How could I read their minds?


The breakthrough

Then I realised, I don’t need to read their minds. They left 400 comments telling me exactly what they were thinking. 🧠 So I scraped the comments and fed them to Claude.


The post resonated on three levels:

  1. Resonant Stories: 62% of comments mentioned elements of the story, such as the main character “Maya.”

  2. Resonant Feelings: 56% of the comments had emotions, mainly hope and inspiration, plus a bit of worry.

  3. Resonant Topics: 46% discussed AI's risks and benefits in society, and 16% mention parenting or children.


My takeaways: Choose topics my audience is already pondering, not just ideas I think they need to hear. And wrap my frameworks in real human stories with feelings.


The audience split was fascinating

The comments were a Rorschach test – they revealed more about the commenters than about my post. When I filtered by job title and connection degree, a pattern emerged:


My core audience (founders, senior growth leaders) engaged with systems thinking and nuanced comments, and appreciated my contrarian take. Distant connections projected their own anxieties about AI and focused on tactical details.


My takeaway: My core audience doesn't want oversimplified content. They prefer important questions over easy answers.


But why 85x more reposts?

What made people want to share this specific post? Eventually I noticed, many reposts quoted this line:


"The limiting factor won't be the tools – it'll be the questions I'm smart enough to ask."


I think re-sharing my post let people signal their own thoughtfulness about AI.


My Takeaway: My best content crystallises what people already feel, but struggle to articulate.


What this means for me:

  1. Ship (thoughtful) contrarian takes before I have all the answers.

  2. Wrap my frameworks in human stories.

  3. Say what my readers already suspect, but can't quite put into words.


My formula: Curiosity hook that challenges an assumption → Personal story → Illustrates point → Actionable insight.


What this means for you:

Big breakthroughs often come from small observations – the feedback we already have, the outcomes we haven't analyzed, the audiences we think we understand. The method matters less than the mindset: treat every unexpected result as data worth mining.


What unexpected result in your business deserve a bit of curiosity?


I hope this helps!

 
 
 

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6 Comments


Kleinpeter Emperor
Kleinpeter Emperor
Sep 16

āđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­ āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āđƒāļŠāđˆāļ•āļąāļ§āļˆāļĢāļīāļ‡āļŦāļĢāļ·āļ­āđ€āļ›āļĨāđˆāļē?

āđƒāļ™āļĒāļļāļ„āļ—āļĩāđˆāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļŠāļąāđˆāļ‡āđ„āļ”āđ‰āđāļ„āđˆāļ›āļĨāļēāļĒāļ™āļīāđ‰āļ§ āļāļēāļĢ āļ‹āļ·āđ‰āļ­āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āļāđ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ‡āđˆāļēāļĒāļŠāļļāļ” āđ† āđāļ•āđˆāļˆāļ°āđ€āļĨāļ·āļ­āļāļĒāļĩāđˆāļŦāđ‰āļ­āđ„āļŦāļ™āļ”āļĩāđƒāļŦāđ‰āļ„āļļāđ‰āļĄāļ„āđˆāļēāđāļĨāļ°āđ„āļ”āđ‰āļ„āļļāļ“āļ āļēāļž? āļŦāļĨāļēāļĒāļ„āļ™āļ„āļ‡āđ€āļ„āļĒāđ„āļ”āđ‰āļĒāļīāļ™āļŠāļ·āđˆāļ­Â āđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­ āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āļŦāļĢāļ·āļ­āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āļĢāļđāđ‰āļˆāļąāļāļāļąāļ™āđƒāļ™āļŠāļ·āđˆāļ­ Relx āļ—āļĩāđˆāļ”āļąāļ‡āļ—āļąāđ‰āļ‡āđƒāļ™āđ„āļ—āļĒāđāļĨāļ°āļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ āļ§āļąāļ™āļ™āļĩāđ‰āđ€āļĢāļēāļˆāļ°āļžāļēāđ„āļ›āļŠāļģāļĢāļ§āļˆāđ‚āļĨāļāļ‚āļ­āļ‡ Relx āļ•āļąāđ‰āļ‡āđāļ•āđˆāļŦāļąāļ§āļžāļ­āļ•āļĒāļąāļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”


āļ—āļģāđ„āļĄāļ•āđ‰āļ­āļ‡āđ€āļĨāļ·āļ­āļ āđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­ āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē?

āđ€āļžāļĢāļēāļ°āđ€āļ‚āļēāđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļēāđ€āļĨāđˆāļ™ āđ† āđāļ•āđˆāļĒāļ·āļ™āļŦāļ™āļķāđˆāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ”āļĩāđ„āļ‹āļ™āđŒāđāļĨāļ°āļĄāļēāļ•āļĢāļāļēāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ āļ—āļļāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļœāđˆāļēāļ™āļāļēāļĢāļ—āļ”āļŠāļ­āļš āļ—āļąāđ‰āļ‡āļĒāļąāļ‡āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ—āļąāđ‰āļ‡āļĄāļ·āļ­āđƒāļŦāļĄāđˆāđāļĨāļ°āļŠāļēāļĒāļ„āļ§āļąāļ™āļĢāļ°āļ”āļąāļšāđ‚āļ›āļĢ

āļ‹āļ·āđ‰āļ­āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđƒāļŦāđ‰āđ„āļ”āđ‰āļ‚āļ­āļ‡āđāļ—āđ‰?

āļāļēāļĢ āļ‹āļ·āđ‰āļ­āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒÂ āļ•āđ‰āļ­āļ‡āđ€āļĨāļ·āļ­āļāļˆāļēāļāļĢāđ‰āļēāļ™āļ—āļĩāđˆāļ™āđˆāļēāđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­ āđāļĨāļ°āļ„āļ§āļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĢāļĩāļ§āļīāļ§āļāđˆāļ­āļ™āļ‹āļ·āđ‰āļ­ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļĄāļąāđˆāļ™āđƒāļˆāļ§āđˆāļēāđ„āļ”āđ‰āļ‚āļ­āļ‡āđāļ—āđ‰ āđ„āļĄāđˆāđ€āļˆāļ­āļ‚āļ­āļ‡āļ›āļĨāļ­āļĄāļĄāļēāļŦāļĨāļ­āļāđ€āļ‡āļīāļ™ āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ„āļ·āļ­āļ„āļ§āļĢāļĄāļĩāļāļēāļĢāļĢāļąāļšāļ›āļĢāļ°āļāļąāļ™āļŠāļīāļ™āļ„āđ‰āļē


āļŦāļąāļ§āļžāļ­āļ• RELX āļˆāļļāļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āđ€āļĨāļīāļŸ

āļ–āđ‰āļēāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ„āļ·āļ­āļžāļĢāļ°āđ€āļ­āļÂ āļŦāļąāļ§āļžāļ­āļ• RELX āļāđ‡āđ€āļ›āđ‡āļ™āļ™āļēāļ‡āđ€āļ­āļ āđ€āļžāļĢāļēāļ°āļĄāļēāļžāļĢāđ‰āļ­āļĄāļĢāļŠāļŠāļēāļ•āļīāļŦāļĨāļēāļāļŦāļĨāļēāļĒ āļ—āļąāđ‰āļ‡āļœāļĨāđ„āļĄāđ‰ āļŦāļ§āļēāļ™āđ€āļĒāđ‡āļ™ āļŦāļĢāļ·āļ­āđ€āļĄāļ™āļ—āļ­āļĨāļŠāļļāļ”āļŠāļ”āļŠāļ·āđˆāļ™

āļ‚āđ‰āļ­āļ”āļĩāļ‚āļ­āļ‡āļŦāļąāļ§āļžāļ­āļ• RELX:

  • āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ‡āđˆāļēāļĒ āđ€āļŠāļĩāļĒāļšāļ›āļļāđŠāļšāđƒāļŠāđ‰āđ„āļ”āđ‰āđ€āļĨāļĒ

  • āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļĢāļąāđˆāļ§āļ‹āļķāļĄāļāļ§āļ™āđƒāļˆ

  • āļĄāļĩāļĢāļŠāđƒāļŦāđ‰āđ€āļĨāļ·āļ­āļāđ€āļĒāļ­āļ°āļˆāļ™āđ€āļĨāļ·āļ­āļāđ„āļĄāđˆāļ–āļđāļ

āļĢāļŠāļŠāļēāļ•āļīāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āļ—āļĩāđˆāđ„āļĄāđˆāļˆāļģāđ€āļˆ

āđƒāļ„āļĢāļ§āđˆāļē āļĢāļŠāļŠāļēāļ•āļīāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āļ•āđ‰āļ­āļ‡āļĄāļĩāđāļ•āđˆāđ€āļĒāđ‡āļ™āļŦāļĢāļ·āļ­āļĒāļēāļŠāļđāļš? Relx āļˆāļąāļ”āđ€āļ•āđ‡āļĄāļ—āļąāđ‰āļ‡āļĢāļŠāļ­āļ‡āļļāđˆāļ™ āļĄāļ°āļĄāđˆāļ§āļ‡ āđāļ•āļ‡āđ‚āļĄ āļŦāļĢāļ·āļ­āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļĢāļŠāļāļēāđāļŸ! āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāļŠāļđāļšāđ„āļĄāđˆāļ™āđˆāļēāđ€āļšāļ·āđˆāļ­


āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļļāđˆāļ™āļŦāļ Relx āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđƒāļŦāļĄāđˆāļĄāļēāđāļĢāļ‡

āļ–āļķāļ‡āđ€āļ§āļĨāļēāļžāļđāļ”āļ–āļķāļ‡āļĢāļļāđˆāļ™āļĨāđˆāļēāļŠāļļāļ”āļ­āļĒāđˆāļēāļ‡ āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļļāđˆāļ™āļŦāļ relx āļŦāļĢāļ·āļ­Â āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļļāđˆāļ™ 6 āļ‚āļ­āļ‡ relx āļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļŠāļ–āļĩāļĒāļĢāļŠāļđāļ‡āļŠāļļāļ” āđāļšāļ•āļ­āļķāļ”āļ‚āļķāđ‰āļ™ āļŦāļąāļ§āļžāļ­āļ•āļĨāđ‡āļ­āļāđāļ™āđˆāļ™ āđāļĨāļ°āļĄāļĩāđ„āļŸāđāļŠāļ”āļ‡āļŠāļ–āļēāļ™āļ°āļŠāļļāļ”āļĨāđ‰āļģ

āļŠāļĢāļļāļ›: āļ„āļ§āļĢāđ€āļĨāļ·āļ­āļāļ­āļ°āđ„āļĢāļ”āļĩ?

  • āļ–āđ‰āļēāļ­āļĒāļēāļāļĨāļ­āļ‡ â†’ āđ€āļĢāļīāđˆāļĄāļˆāļēāļāļŦāļąāļ§āļžāļ­āļ• RELX āļĢāļŠāļŠāļēāļ•āļīāļ—āļĩāđˆāđƒāļŠāđˆ

  • āļ–āđ‰āļēāļ­āļĒāļēāļāļŠāļ°āļ”āļ§āļ â†’ āļ‹āļ·āđ‰āļ­āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āļˆāļēāļāļĢāđ‰āļēāļ™āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­āđ„āļ”āđ‰

  • āļ–āđ‰āļēāļ­āļĒāļēāļāļ­āļąāļ›āđ€āļāļĢāļ” â†’ āļŦāđ‰āļēāļĄāļžāļĨāļēāļ” āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĢāļļāđˆāļ™āļŦāļ relx āļ—āļĩāđˆāļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ„āļĢāļšāļˆāļąāļ”āđ€āļ•āđ‡āļĄ

āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē relxrelx infinityrelx infinity plusāļĢāđ‰āļēāļ™āļ‚āļēāļĒāļŦāļąāļ§āļžāļ­āļ• relx āđƒāļāļĨāđ‰āļ‰āļąāļ™āļĢāļēāļ„āļēāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļērelx zerorelx artisanrelx āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļērelxāđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­āđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­ āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē relxāļ‹āļ·āđ‰āļ­āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒāđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­ āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļērelexāđ€āļĒāļ§āđˆāđ€āļ„āđˆāļ­relx āļšāļļāļŦāļĢāļĩāđˆāļ­āļīāđ€āļĨāđ‡āļāļ—āļĢāļ­āļ™āļīāļāļŠāđŒāđ€āļ„āļĢāļ·āđˆāļ­āļ‡ RELX āļ‚āļ­āļ‡āđāļ—āđ‰āđ€āļ„āļĢāļ·āđˆāļ­āļ‡ RELX āļĢāļļāđˆāļ™āļĨāđˆāļēāļŠāļļāļ”RELX āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āļĢāļēāļ„āļēāļ–āļđāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŠāļđāļšāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļžāļ­āļ•āđ„āļŸāļŸāđ‰āļē relxāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļē āļĢāļēāļ„āļēāļ–āļđāļāļĢāļŠāļŠāļēāļ•āļīāļŦāļąāļ§āļžāļ­āļ• RELXāļŦāļąāļ§āļžāļ­āļ• RELXāđāļ™āļ°āļ™āļģāļĢāļŠāļŠāļēāļ•āļīāļŦāļąāļ§āļžāļ­āļ• RELXāļŦāļąāļ§āļžāļ­āļ• relxāļŦāļąāļ§āļžāļ­āļ• relx āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļĢāļŠāļŠāļēāļ•āļīāļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļēāļŦāļąāļ§āļžāļ­āļ•āļšāļļāļŦāļĢāļĩāđˆāđ„āļŸāļŸāđ‰āļērelx āļĢāļļāđˆāļ™ 5relx āļĢāļļāđˆāļ™āļŦāđ‰āļērelx āļĢāļļāđˆāļ™ 5 āļ•āļąāļ§āđ€āļ„āļĢāļ·āđˆāļ­āļ‡relx āļĢāļļāđˆāļ™āļŦāđ‰āļē āļ•āļąāļ§āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŦāļąāļ§āļžāļ­āļ” relxâ€Ķ

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